“I suppose Paris is very, very distracting. His gaze remained steady on the old dame’s face, as he thought about it. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. If so, do not hesitate to tell me. The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. The body of the edifice stood on the south side of Newgate Street, and projected at the western extremity far into the area opposite Saint Sepulchre's Church. The hansom sped through the crowded streets.
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