The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. This incredible scene robbed him of the sense of locomotion. There is scarcely one chance in a dozen of saving his life; there would be none at all if he were moved. The mother was far more real to her than the father; the ghostly far more substantial than the living form.
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