“You met no one upon the stairs, or saw no one leave the flats?” “No one,” Anna answered firmly. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. At table he carved in a gloomy but resolute manner. The child has sprung into a youth; the youth has become a man; the man has already begun to feel the advances of age.
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