‘You said—who?’ ‘Remenham. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. Her glance, absorbing the gilt letters and their significance, communicated to her poised body a species of paralysis. The curtain rose out of the concluding bars of the overture and revealed Isolde on the prow of the barbaric ship.
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