There was once a philanthropist who dressed with shameful shabbiness and carried pearls in his pocket. "My limbs feel so light, now that my irons are removed," he observed with a smile, "that I am half inclined to dance. I can understand now these newspapers when they talk of your magnificent philanthropy. ‘And we shall see which of us is more quick. He did not love Ruth. But the besetting evil of the place, and that which drew down the severest censures of the writers above-mentioned, was that this spot,—which of all others should have been most free from such intrusion—was made a public exhibition. It happened that at the extremest point of Ann Veronica’s social circle from the Widgetts was the family of the Morningside Park horsedealer, a company of extremely dressy and hilarious young women, with one equestrian brother addicted to fancy waistcoats, cigars, and facial spots.
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