“Why destroy me, child? There are so many secrets I 231 could tell you. It was only by the adoption of such a course (especially since the late act of suppression, to which we have alluded,) that the inviolability of the asylum could be preserved. On one side of the handbill a print of the reigning sovereign, Anne, had been pinned over the portrait of William the Third, whose aquiline nose, keen eyes, and luxuriant wig, were just visible above the diadem of the queen. .
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