“My dear,” she began, with an affectionate hand on Ann Veronica’s shoulder, “I do SO wish you would realize how it grieves your father. Manning,” she said, “for a time—Will you tell no one? Will you keep this—our secret? I’m doubtful—Will you please not even tell my aunt?” “As you will,” he said. I like such interviews. He moved her dress from her shoulders and off her torso. It feels like it. “Indeed,” she said, “it was very fortunate that I should have met you this afternoon. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. . ’ ‘Ah, that is easy,’ she began, laughing. Ramage tethered the horse to the farther gate-post, and Caesar blew heavily and began to investigate the hedge. “And children must we women bear— “Oh, damn!” she cried, as the hundred-and-first couplet or so presented itself in her unwilling brain. She had thought to wear it now, since she must look more the demoiselle. . " "I can't endure the odious baggage.
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