He saw it in book-covers, on the stage. The boy she had loved was gone. This lifeless appearance was heightened by the extreme sharpness of her features—especially the nose and chin,—and by the emaciation of her limbs, which was painfully distinct through her drapery. This person—this Jonathan Wild, whom I beheld for the first time, scarcely an hour ago, in Wych Street, is—I know not why—my enemy.
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