" At the time of his present introduction, his play of "The Captives," had just been produced at Drury Lane, and he was meditating his "Fables," which were published two years afterwards. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. Quilt Arnold was stationed at the stair-head, near which the boat containing the captive boy was moored. The uncanny directness of those gray eyes, the absence of diffidence, the beauty of the face in profile (full, it seemed a little too broad to make for perfect beauty), the mellow voice that came full and free, without hesitance, all combined to mark her as the most unusual young woman he had ever met. Mrs. “Oh. Nobody knows what his real name is, but he's a Hollander.
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