You have threatened to kill me for nothing, I know not how many times. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. A cool gray light illuminated small portions of the stone floor. She could learn nothing of her son, and only obtained one solitary piece of information, which added to, rather than alleviated her misery,—namely, that Jonathan Wild had paid a secret visit to the Cross Shovels. He felt that he might soon be separated—perhaps, for ever—from the fond little creature he held in his arms, whom he had always regarded with the warmest fraternal affection, and the thought of how much she would suffer from the separation so sensibly affected him, that he could not help joining in her grief. Pretend to weep both of you as loudly as you can. .
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