John. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. As the Wastrel played, Spurlock knew that the man saw the inevitable end—death by drink; saw the glory of the things he had thrown away, the past, once so full of promise. ‘I have Joan to tell me how much I look like Mary. Come down with me to the Lodge directly.
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