He was really very proud of her, and extraordinarily angry and resentful at the innocent and audacious selfreliance that seemed to intimate her sense of absolute independence of him, her absolute security without him. She saw his purpose and his doubt hesitated also, and then went to him, took his coat lapels, and kissed him on the cheek. ‘Don’t try to turn it off,’ ordered Miss Froxfield. At other times he seemed to have regained the normal completely. The significance of the kiss was still obscure to her, though she had frequently encountered the word and act in the Old and New Testaments and latterly in novels. But before the Grieg concerto was done, she knew that she was free.
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