But his gloom appeared to be occasioned by remorse, rather than sorrow. She made a step forward. There were neither texts nor rubbish on the walls, but only a stirring version of Belshazzar’s feast, a steel engraving in the early Victorian manner that had some satisfactory blacks. They were alike in one phase—loveless and lonely. “One is always playing the surgeon, one kills always the thing one loves best. Somehow.
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