While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. "Shall I never banish those horrible phantoms from my couch—the father with his bleeding breast and dripping hair!—the mother with her wringing hands and looks of vengeance and reproach!—And must another be added to their number—their son! Horror!—let me be spared this new crime! And yet the gibbet—my name tarnished—my escutcheon blotted by the hangman!—No, I cannot submit to that. “But don’t you know about me?” he said at last.
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