‘Yes, but quite my own fault. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. What need had she of Gerald, or anyone? Yet, if he was here, would he not make some foolish game with her and make her laugh? Instead of behaving in this fashion so stupide, and crying, crying, crying. ’ ‘So I see. She approached a soft-looking bespectacled girl she had seen once in the halls and noticed for her haunted look. It is magnificent indeed. The Bach Cantata was played fairly well, Sebastian thought, for a lot of children. She was never able to trace the changes her attitude had undergone, from the time when she believed herself to be the pampered Queen of Fortune, the crown of a good man’s love (and secretly, but nobly, worshipping some one else), to the time when she realized she was in fact just a mannequin for her lover’s imagination, and that he cared no more for the realities of her being, for the things she felt and desired, for the passions and dreams that might move her, than a child cares for the sawdust in its doll.
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