I'll tell you what. This left Spurlock alone. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. It mattered not whether she flunked the year as she would soon be gone. But it's an odd case.
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