Were I a painter of subject pictures, I would exhaust all my skill in proportion and perspective and atmosphere upon the august seat of empire, I would present it gray and dignified and immense and respectable beyond any mere verbal description, and then, in vivid black and very small, I would put in those valiantly impertinent vans, squatting at the base of its altitudes and pouring out a swift, straggling rush of ominous little black objects, minute figures of determined women at war with the universe. I’ve told them all that was necessary, but I— wanted to ask your pardon—for having made myself a nuisance to you, and for breaking into your rooms—and to thank you—the doctor says you bound up my wound—or I should have bled to death. “My friend,” she said, “no! Let me tell you this. Dollis Hill revisited 324 XII. One’s sense of proportion, battered out of all shape in the daily life of cities, reasserts itself.
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