The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. She directed him to an old part of the highway, a featureless stretch of old farmhouses capped in snow, with the occasional working silo. " "Go on, tell me," he urged, enchanted. .
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