“I refuse. " After all those former bitter failures, this cup was sweet, even if there was the flavour of irony. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. The moisture from the sea was constant, and she spent countless hours staring at the sea from the west tower, the rise and fall of waves. Ruth drank in these intellectual controversies, storing away facts. She had viewed them askance, and without exchanging ideas with any one else in the world about them. Wagner had just been in love when he wrote it all. She contrived to break down the barriers of shyness at last in one direction, and talked one night of love and the facts of love with Miss Miniver. Ruth was inflammable; she would always be flaring up swiftly, in pity, in tenderness, in anger; she would always be answering impulses, without seeking to weigh or to analyse them.
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